Giotto Di Bondone Virgin And Child Enthroned †MyAssignmenthelp.com

Question: Discuss about the Giotto Di Bondone Virgin And Child Enthroned. Answer: General specifications of the artwork This example of the artwork was designed in the year 1310. This artwork is situated in Florence. This is painted by Giotto. It is one of those artworks that have been accepted by all the scholars on the universal basis. Giotto had painted this artwork as an altarpiece known as the Ognissanti Madonna. This is now located in the Uffizi where it is kept beside the Cimabues Santa Trinita Madonna and Rucellai Madonna pained by Duccio. This is a very large painting as its size is 325*204 cm. Artist, Patron, Original Intended Viewers and Original Location This artwork named the Virgin and Child Enthroned has been painted by Giotto. This artwork was painted in the year 1310. This is considered to be a very important landmark artwork in the history as it is a large altarpiece. This artwork had been painted for the Church of Ognissanti. Giotto was the one painter who brought in new styles to the Italian artwork in particular. Before the arrival of Giotto, the artwork of Italy was completely restrained to the schematic Byzantine style and all the archaic styles that were related with it. The figures and artworks that were being created before Giotto were very much two-dimensional and it did not create any emotional attachment with the viewers. The figures were always stiff as well. Giotto was the one who had come up with new ideas by breaking the traditions. He began to represent the human figures through his paintings. His artistic new styles gave birth to Renaissance in Italy and later in the whole Europe. It is a great matter that Madonna and the child both had appeared in one single piece of painting for the first time in the history of the Western painting. In this picture, the audience can see that Madonna is surrounded by several angels all around. The paintworks of Giotto have always exceeded the boundaries of the Italian-Byzantine art. The contemporary people, who wanted to taste something new in the artistic creations, were mainly the intended viewers of this artwork. Giotto has been in Florence for several years and he had been creating new artworks there. This artwork of Virgin and Child Enthroned has been one of the best instances. He had been considered as a pioneer for introducing naturalism in painting and artwork. As he decided to move away from the traditional Byzantine artwork, he had been influenced by the Italian painters who belonged to the school of Marmoraii. Some of his patrons by whom he was greatly influenced were the artists of that famous school of painting. They are Nicolo Pisano, Pietro Cavallini, Duccio and one of the greatest mosaic-painters Jacopo Torriti. Giotto di Bondone used to live and work in Italy all through his life. This is why he was greatly influenced by the Catholic civilization which flourished to great heights in Italy only. The subjects that he had chosen were completely based on the Church and theological aspects only. The figures he had painted were mostly considered to be as the religious figures. It is an important aspect that the fresco paintings he had contributed were mostly found in the places of the Catholic worship. This is the suggestion towards the fact that he had been very much religious. His patrons had been the religious figures in the contemporary churches and cathedrals. His demand was very high all through his life in the churches and cathedrals across Italy. One of his most prolific styles wer e that he could paint that human face very well and this power of capturing the human face was one of the most important reasons for his fame. His authentic power in artwork was indeed exquisite. The probable intended viewers of his artwork were the people who were deeply engrossed in the religious matters and showed deep understanding of the new art. Visual description of the artwork This artwork has been one of the most magnificent artworks in the entire world. This painting is a beautiful one since the wooden panel painted in tempera produces a fantastic feeling in the minds of those who have seen this. It can be seen that there is a beautiful edging of gold on the robes. The beautiful halos and the elements for decoration can all be found in this paintwork. The background is of golden color that makes it more beautiful indeed. The color combinations in the paintwork are beautiful. The shades of pink and violet, warm green and red, the flesh colors make this artwork very much beautiful indeed. The artwork depicts that many saints have knelt down and some of them are standing near the throne of Madonna. The groups of the saints are standing on the either side of the throne indeed. The angles of saints are typical as the faces of some saints cannot be seen. The cult of the Holy Virgin has been one of the most important aspects because Maesta had been the most pop ular theme during that time. The similar kinds of artworks that could be attributed to the Ognisatti Madonna or Virgin and Child Enthroned were the similar types of works on Madonna by Cimabue and Duccio. The work by Cimabue was known as the Virgin Enthroned with Angels. It is a great matter that the Madonna and the angels are being displayed as very stylistic. The faces of the angels look very similar indeed. The angels in this picture are seen to be hovering over one another on the top. The faces in the work of Cimabue are very expressive indeed. This picture painted by Duccio has portrayed the fact that Madonna and child is enthroned with the angels. On the reverse of the picture there were many pictures of Christ to be seen as well. This is how the artwork of Giotto named Virgin and Child Enthroned has been looked upon as one of the best pictures of that early fourteenth century. References Camille, Michael.Image on the edge: The margins of medieval art. Reaktion books, 2013. Gardner, Julian. "Florence at the Dawn of the Renaissance: Painting and Illumination, 1300-1350." (2013): 1163-1165. Gunzburg, Darrelyn. "Giotto's Sky: The Fresco Paintings of the First Floor Salone of the Palazzo della Ragione, Padua, Italy."Journal for the Study of Religion, Nature Culture7.4 (2013). Morey, Charles Rufus.Medieval art. WW Norton company (1942), 2017. Ostdiek, Gilbert.Mystagogy of the Eucharist: A Resource for Faith Formation. Liturgical Press, 2015. Rosewell, Roger.Medieval Wall Paintings. Bloomsbury Publishing, 2014.